:
composition - sound design - mixing - editing
"thoroughly transportive...Chris Gorman's sound design delivered ASMR moments as well as immersive soundscapes" - Ben Hall, Theatre Weekly
Screen/Alt Media
2024 - "In the Room" - composer - dir. Paul Barrie, Bar Italia Films w. Blazing Griffin
2022 - "Little Lark" - sound design (with Heather Andrews) - dir. Catriona Macleod
2021 - "Paisley Radicals" - composer (with John Kielty) - radio-play/walking tour/podcast soundtrack, dir. Barry Church-Woods
2021 - "My Place In The Crowd" - composer - interactive art exhibition by Philippa Tomlin
2021 - "Canonbone" - sound design - dir. Shanine Gallagher
2020 - "Internet Famous" - composer - dir. Michael Finnegan
2019 - "Manifest" - composer - dir. Stuart Alexander
2018 - "The Reason I Jump" interactive augmented reality app - creative team RealRealReal in association with Phillippa Tomlin and the National Theatre of Scotland
Stage
2023 - "The Kelpie and the Phoenix" - in development for Imaginate, created by Lee Smith and Sadiq Ali
2023 - "The Museum of the Sea (and what happened there)" - in development, created by Melanie Jordan and Alice Langley
2022 - "Marvolio's Magnificent Mechanical Meat Market" - in development, dir. Alice Langley
2019 - "Good Sex After Bad Sex" - dir. Alice Langley, Assembly Roxy
2019 - "Dreams of the Small Gods" - created by Zinnia Oberski, Summerhall, Edinburgh for Manipulate Festival
2017 - "Namaste, Bitches" by Abigoliah Schaumann with Live Nation
2016 - "Macbeth" dir. Morna McGeoch, Thanks For That Theatre
2016 - "Pooka" by James McLinden, dir. Lucio Nieto, Blockheads/ The Tank NYC
2015 - "Some Girls/ Strange Fruit" by Neal LaBute, dir. Lucio Nieto, Blockheads/ The Tank NYC
2015 - "Dog Sees God" by Bert V. Royal, dir. Lucio Nieto, Blockheads/ The Tank NYC
Composer and sound designer based in Glasgow, Scotland